Passages from Virgil’s First Georgic
BY ROBERT FITZGERALD
I. Until Jove let it be, no colonist
Mastered the wild earth; no land was marked,
None parceled out or shared; but everyone
Looked for his living in the common world.
CALL FOR PAPERS!
The Vergilian Society invites proposals for papers for the 2016 Symposium Cumanum at the Villa Vergiliana in Cuma, Italy.
The last twenty-five years have seen a marked increase in scholarship dedicated to ancient Greek and Roman music. These studies have tended to concentrate on music in the Greek world, or to Rome of the early to mid-Republic, the time of Nero, or late antiquity. Yet music clearly played a highly significant role in the life and literature of Augustan Rome. Vergil and his contemporaries refer repeatedly to singing and to musical instruments; the Augustan age marked important developments in pantomime, which was to become the most popular form of musical entertainment in the Empire; images of music appear often in Augustan art; and this period witnessed refinements in the music that accompanied private convivia. This conference will bring together scholars from across the world to evaluate the musical context of Vergil’s poems.
Papers might address topics such as theatrical music, music in Augustan literature, archaeological evidence for music, ways in which Augustans responded to the musical influence of Greece, or musical performances of Vergil’s works.
Papers will be 20 minutes long with ample time for discussion. The symposium will include three days of papers, discussion, and visits to Vergilian sites.
Presenters will include Andrew Barker (Keynote Address), Timothy Power, and Eleonora Rocconi.
Interested scholars should send an abstract of no more than 300 words to email@example.com by December 1, 2015.